Tuesday, November 24, 2009

MJ RIP ?

I haven't written a single thing about Michael Jackson's death, but I probably should have (out of guilt? neglect?). Unfortunately, the sequence of events just seemed a bit too orchestrated, as if the death was a promo for the BIG public celebration which was a promotion for the movie release which cross -promoted all of MJ's music, all of which promoted the funeral. Germaine and Tito had their 15 minutes all over again - even LaToya got another sixty seconds. The only one still bitching is Joe Jackson, who always seems venomous even when he's pretending to be human. The family drama always seemed to nearly eclipse and submerge MJ's considerable talent, the tabloid tsunami revelations sweeping away his ability to emote, move and most of all entertain.


I would venture to say that our collective memories began with a beaming kid who looked just old enough to be singing about "A-B-C - easy as 1-2-3", and ended with an emaciated semi-white nose less freak. What happened in between has been the source of perpetual debate - the fame, the kids, the trials, the lifestyle - so adding anything would just be redundant. Michael Jackson was unlucky enough to grow up in a fishbowl under a microscope surrounded by constant volleys of flashbulbs and chattering stalkerazzi. He never seemed evil - confused, maybe, but not malicious - but low key, shy and - thanks to the autopsy report - possibly stoned out of his gourd. Could be he just drifted through life - comfortably numb -and let everybody else make decisions for him, which would explain the trail of bad business deals, broken promises and lost assets.

The final irony for Michael Jackson is the fact that this really was a good career move. Not only are his CDs suddenly hot commodities after all these years, but also "This is It" shows that he still has - HAD - all the right moves. Once the court battles are resolved, and the tabloids no longer have any Jackson family exposes, MJ's legacy will finally stand alone, reaffirming his impact on popular culture as a mega-talent.

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